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![]() ![]() There’s “Better Off,” the trancy B-side of the Forever single and the steamy, fizzy “Send Me Down,” the B-side from “Don’t Save Me,” which Consequence Of Sound astutely compared to everyone from Gloria Estefan to Abba upon its release in 2012. The second disc brings together all the odds and sods of the Days Are Gone era. The first disc is just the 11 tracks of the original release – complete, unaltered and unabridged. The 10th anniversary reissue of Days Are Gone offers the opportunity to appreciate a remarkable album all over again while still offering something for Haim obsessives, fanatics and completists. Jessie Ware and Arctic Monkeys and Jimmy Eat World wouldn’t be a terrible RIYL for Days Are Gone, especially if you could manage to work in some Prince plasticine funk and just a hint of Janelle Monae alt-R&B. Dance pop superstar Jessie Ware even gets a writing credit. When you pop the hood, it’s no great shock to learn that some of the many, many talents who worked on Days Are Gone have lent their talents to everyone from Jimmy Eat World to Trust to Arctic Monkeys, Blood Orange and Charli XCX. You can hear echoes of CHVRCHES, Lorde and Phoenix in the bright, polished pop rock, yet the Haim sisters aren’t afraid to get dirty and do their own thing, either, pulling out gritty, bruised guitar solos when the moment calls for it, like on “My Song 5,” or getting weird and experimental, like the dubby hall of mirror handclaps of “Honey & I.” It’s a truly delicious art pop statement, bursting with sweet, honeyed vocal exultations, as on “Go Slow” or “If I Could Change Your Mind,” and impossibly precise productions, with synthetic drums and bright, bold synths sounding as unblemished as a Jeff Koons sculpture. In some ways, the album is an immaculate time capsule of 2013, existing in the interzone between impeccable pop craftsmanship and indie underground attitude. It lays to rest any tired arguments about pop versus rock or artifice versus authenticity. You’re also far less likely to miss out on great music.ĭays Are Gone feels like one of poptimism’s principal shots over the bow. ![]() The quicker you lean into that reality, the happier you’ll be as a person. When you’re putting things out there into the world, there is almost always some sort of artifice at play. If that reality still bothers someone decades into the existence of social media, clearly they’ve been hiding their head in the sand. Ten years later, most of us will acknowledge the dozens of outtakes takes necessary to get that perfect casual candid shot. In 2013, culture may have collectively still been pretending that a pristine, curated online presence just happened. The image telegraphs effortless cool, yet the impeccable styling and overhead angle reveal a carefully coiffed and cultivated image. The three sisters are kicked back in a trio of lawn chairs, the very picture of suburban normalcy, but Danielle and Alana cut chic, striking figures in black leather jackets while all three appear impossibly cool in black shades. ![]() The instantly recognizable artwork depicts the Haim sisters, barely in their 20s at that point, looking impossibly casual against a backdrop of rich emerald green Southern California lawn. ![]() The cover of Days Are Gone, featuring a photograph of the three Haim sisters taken by Tom Beard, says a lot about the music that would shortly catapult the young Los Angeles trio into superstardom. ![]() ![]() ![]() When closed, the Brunton Lensatic Military Style Sighting Compass measures half as long at 3 inches (7.6 cm) long. When it is open, it is 6.5 inches (16.5 cm) long, 2.2 (5.5 cm) inches wide, and 1.2 inches (3 cm) deep. The Brunton Lensatic Military Style Sighting Compass is designed to be compact and lightweight for a military sighting compass. However, the luminosity fades quite quickly. The compass has luminous markings, making it visible in low-light or nighttime conditions. The needle is in a liquid-dampened capsule, but it takes a while to settle, and it does have to be held very level to be accurate. The Brunton Lensatic Military Style Sighting Compass has a Northern Hemisphere needle, so it would not be accurate in all parts of the globe. Its lightweight and compact design adds to its practicality, as it easily fits into pockets or attaches to gear with a lanyard, ensuring convenience during outdoor excursions. The magnifying lens on the front makes it easier to read the figures on the compass dial and can also be used to help with the smaller details on a map. A hinged metal loop folds down underneath, which is designed for your thumb to be placed in to help keep the compass steady when sighting. Beginners may experience a slight learning curve when mastering the lensatic sighting method, but with practice, the compass becomes a user-friendly tool for accurate navigation. The compass is designed for ease of use, especially for those familiar with the lensatic sighting mechanism. The case folds over to protect the face of the compass, but it doesn’t lock firmly into place, so it is possible for it to fall open. The case and the hinge are made from metal, but most of the rest of the compass is plastic. ![]() The success with their pocket transits naturally led to them beginning to make compasses in 1976, using the same high-quality materials as the transits. Brunton are a well-established American company primarily known for making high-quality pocket transits. In terms of durability, the Brunton Lensatic Military Style Sighting Compass is built to withstand harsh conditions encountered during outdoor adventures. No other scales or measuring equipment are on the compass, so you may need to take a protractor if navigating with a map. ![]() When folded out flat, you have a long straight edge that is marked in millimeters. The Brunton Lensatic Military Style Sighting Compass is marked with increments in 2-degree intervals, and it is accurate to within 5 degrees. The metal cover folds closed to protect the compass. The Brunton Lensatic Military Style Sighting Compass has a sighting line integrated into the cover and several notches to make sure you are lined up correctly. It incorporates a rear sight, front sight, and a magnifying lens for precise bearing measurements. A lensatic compass features a hinged sighting lens that allows users to sight and lock onto a target accurately. The primary difference between a lensatic compass and a baseplate mirror compass lies in their sighting mechanisms and design. ![]() Designed for rugged outdoor use, this type of compass is commonly used by military personnel, hikers, and outdoor professionals due to its accuracy and durability. The Brunton Lensatic Military Style Sighting Compass belongs to the category of lensatic compasses, also known as military-style sighting compasses. While suitable for accurate bearings and directional measurements, this compass lacks additional features like scales and clinometers found in other compasses. The Brunton Lensatic Military Compass is built to withstand harsh conditions, but this does make it heavier and more bulky than a baseplate compass. We are used to baseplate compasses, and it took us a while to get the hang of using a lensatic compass. However, if you are unfamiliar with this type of compass, you will need to practice. The lensatic sighting mechanism allows for accurate targeting and bearing measurements, ensuring reliable navigation even in demanding environments. ![]() ![]() The first contains my custom app icons, but the layout is broken up with a medium size widget stack at the top, and then a small widget stack underneath, before it goes into my standard app icons. I was excited when this became a thing, as I liked breaking up the monotony of just 1×1 app icons on a grid.Īt the moment, I have a two-page setup for my home screen. Information at a glance with widgets Christine Romero-Chan / Digital TrendsĪnother big change Apple made in iOS 14 was the ability to finally add widgets to the home screen, versus only having them in the Today view (a poorly named view you only see when swiping to the right of the home or lock screens). Perhaps it also has something to do with Apple’s cumbersome process with Siri Shortcuts that I just can’t be bothered to change up my entire icon theme again, but I also just really like Polyphian’s Depths, though it’s far from the only themed icon pack (or wallpaper) he’s done. The same can be said for my custom app icons I’ve been using Depths on my home screen for around two years now. For example, prior to iOS customization without a jailbreak, the apps on my home screen remained unchanged for several years, and the apps would be critical pieces of software that I depend on daily for them to earn a spot on my home screen and dock. I’m the kind of person who usually sets up one thing and sticks with it for a good, long while. On my iPhone 14 Pro, since I have dark mode turned on 24/7, I have the majority of my custom Depths icons set to the dark background, allowing the colored icons and logos to pop, with the exception of a few where I prefer the colored background. For me, Depths is like the original icons but done much better. Polyphian also has variant colored versions of the icons, all of which support both light and dark themes (I’m a dark mode person myself). Christine Romero-Chan / Digital Trendsĭepths retains most of what you see in the stock icons but adds much-needed, well, depth to them, which makes them stand out. And a lot of icons these days also look very similar to each other, which I’m also not a particular fan of. I forget the exact way I stumbled upon Polyphian’s Depths icon theme, but I think it was from browsing the iOSsetups subreddit.īut why Depths? Ever since iOS 7, app icons have become flat and boring, losing much of the unique charm and character that made them special before. So with that in mind, I decided to hold off on changing out all of my main home screen icons until I found a good icon theme pack that I like enough to warrant an hour just to get everything set up. Two years later, it’s as cumbersome as ever - I seriously don’t understand why Apple won’t just streamline the process, or maybe just open up a custom theme store of some sort? It would literally print money for the company. ![]() ![]() People were theming their home screens with unified icon sets and widgets - and I had to join the train too.īut after seeing all of the steps needed to make a single custom app icon in Siri Shortcuts (it was around 20 steps for each icon), I knew this was going to be something I only do very rarely because it’s so tedious. When iOS 14 first launched and people began the “aesthetic AF” home screen trend on TikTok, it blew up in a way that I never thought was possible. ![]() Watch an acclaimed director use the iPhone 15 Pro to shoot a movieĪdding some Depth to my home screen icons Christine Romero-Chan / Digital Trends Want to own a piece of iPhone history? You just got a new chance The iPhone 16’s huge redesign has leaked. ![]() ![]() ![]() If something is annoying or boring to play, then I don't want to play it: simple as that. I always like to consider good gameplay to just be something fun, and I consider creativity to be extra credit. This is also why I think a lot of a people hate Meowterdash so much: it has a really good concept of having gameplay revolving around custom orbs, but the execution ended up being really frustrating and annoying. Sure, it's cool that KrmaL can make creative gameplay like Lit Fuse, but dear god it's such a boring level. Personally, I don't really tend to enjoy gameplay that is solely defined as "creative". Here's some gameplay that I made, one I tried to make unique, the other I tried to make fun. That's my opinion, I know some people would say his levels are fun, however the majority of people I've talked to don't find his gameplay fun. ![]() KrmaL's gameplay tends to sacrifice the fun value for the uniqueness. Falling Up has probably the worst of it, just ask KneeVan. Rearmed isn't that fun, the wave at the end is more annoying than anything. Black Blizzard has incredibly stressful gameplay from what I've played, and it's a gigantic hassle to learn the parts of it. I've played a lot of it and enjoyed none of it except for the wave spam. Heartbeat is a terrible level for fun value. ![]() He tries a lot of bizarre things with his gameplay and sometimes it does work, like with the first half of the lit fuse drop, but as with the second half of the lit fuse drop, it often fails to hold up as fun I find. As for KrmaL's gameplay, I would certainly call it well synced and certainly unique, but good? Probably not. ![]() |
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